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Dusk and Her Embrace
Cradle of Filth Homepage
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Category: Symphonic Black
Year: 1996
Label: Music For Nations
Catalog Number: CDMFN 208
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Personnel
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Dani Filth vocals
Stuart Anstis guitars
Gian Pyres guitars
Robin Graves bass
Nicholas Barker drums
Damien Gregori keyboards
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Tracks
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| 1. | Humana Inspired To Nightmare | 1:22 |
| 2. | Heaven Torn Asunder | 7:06 |
| 3. | Funeral in Carpathia | 8:24 |
| 4. | A Gothic Romance (Red Roses for the Devil's Whore) | 8:35 |
| 5. | Malice Through the Looking Glass | 5:31 |
| 6. | Dusk and Her Embrace | 6:09 |
| 7. | The Graveyard By Moonlight | 2:29 |
| 8. | Beauty Slept in Sodom | 6:32 |
| 9. | Haunted Shores | 7:04 |
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| Total Running Time: | 53:12 |
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If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
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notice that a particular Cradle of Filth CD release or compilation is missing
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CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Cradle of Filth are also welcome to be added, as
long as they are at least 4 songs in length.
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Existing comments about this CD
| From: Doghouse Reilly |
Date: October 19, 2014 at 21:51 |
| Your "tr00 kvlt" black-metal purists hate Cradle Of Filth, for much the same reason they hate Dimmu Borgir: because neither band makes unlistenable, lo-fi noise in the vein of the inexplicably worshipped Darkthrone. Instead, Cradle Of Filth makes a black-metal Halloween haunted-house soundtrack, combining the traditional screeched vocals with eerie choirs and creepy narration, and infusing the music with bombastic, orchestral elements. It's great music for this time of year, and COF do it very well. They inject the typical satanism with more of a literate, highly erotic, gothic blasphemy rich with imagery, kinda like ype O Negative without the ironic self-deprecating humor. On the minus side, the grandiose orchestration tends to bury the guitars and cushioon the heaviness. And Dani's vocals are unnatural and frequently ridiculous, screaming so high and raspy that he often sounds like every word has the same vowel sound, making much of the lyrics sound like meaningless babble.
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