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1919 Eternal
Black Label Society Homepage
(click on Artist's name above to return to
artist's main page)
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Category: Heavy Metal
Year: 2002
Label: Spitfire Records
Catalog Number: 176
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Personnel
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Christian Werr Drums
Craig Nunenmacher Drums
Robert Trujillo Bass
Zakk Wylde Guitars, Bass, Vocals
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Tracks
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| 1. | Bleed for Me | 5:31 |
| 2. | Lords of Destruction | 5:11 |
| 3. | Demise of Sanity | 3:23 |
| 4. | Life, Birth, Blood, Doom | 4:21 |
| 5. | Bridge To Cross | 5:49 |
| 6. | Battering Ram | 2:22 |
| 7. | Speedball | 0:58 |
| 8. | Graveyard Disciples | 3:20 |
| 9. | Genocide Junkies | 5:53 |
| 10. | Lost Heaven | 4:24 |
| 11. | Refuse To Bow Down | 4:53 |
| 12. | Mass Murder Machine | 5:47 |
| 13. | Berserkers | 5:06 |
| 14. | America the Beautiful | 3:16 |
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| Total Running Time: | 60:14 |
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If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
live tracks, etc.), please post them in the corrections section of the
Brutal Metal forum/message board.
The music discographies on this site are works in progress. If you
notice that a particular Black Label Society CD release or compilation is missing
from the list above, please submit that CD using the CD submission page.
The ultimate goal is to make the discographies here at Brutal Metal
as complete as possible. Even if it is an obscure greatest-hits or live
compilation CD, we want to add it to the site. Please only submit official
CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Black Label Society are also welcome to be added, as
long as they are at least 4 songs in length.
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Existing comments about this CD
| From: Doghouse Reilly |
Date: July 27, 2013 at 16:01 |
| Here is where BLS starts to transition from what they were on Sonic Brew and Stronger Than Death, to what they would become on later albums. The tunes are still heavy as all hell, but not quite as sludgy and thick. "Demise Of Sanity" and "Genocide Junkies" are easily the disc's top spots, moving along at an unusual clip and with the best hooks so far in the band's catalog. Other good tracks include the faintly industrial "Bleed For Me," "Lords Of Destruction," "Life, Birth, Blood, Doom," and heavy stompers "Graveyard Disciples" and "Mass Murder Machine." This time out, the ballads are pretty forgettable, except for a spine-tingling acoustic rendition of "America The Beautiful." No cussing on this album, after tons of it on the first two, for what that's worth.
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| From: Doghouse Reilly |
Date: March 16, 2021 at 19:40 |
| The album was supposed to have been inspired by Zakk's father (born in 1919) and his experiences in World War II. As such, there's a very grim, gray atmosphere to the disc, with Zakk's lyrics (never the cheeriest) dwelling on impending doom, and rushing toward it stone-faced. That's inasmuch as the lyrics mean anything at all. Where the hell is the bass? The guitars are tuned to drop-C on most songs (as on every BLS album), but that doesn't compensate for the bass being virtually inaudible. The stink of steroid-sweat is especially pervasive on this album, as Zakk really cements his fanbase among a self-consciously macho crowd who would rather drink beer, lift weights, shoot guns, ride motorcycles and/or beat each other up for fun than do most anything else. Including getting laid (note the stern warning against the dark powers of evil women at the beginning of "Refuse To Bow Down").
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| From: Doghouse Reilly |
Date: March 16, 2021 at 19:47 |
| Zakk's crowd began to be full of the type of guys in your town who are always banging away at that gun-range in the woods, grunting grotesquely under the weight bar in the gym, and whose idea of a great joke is kicking one another in the balls. Forget a motorcycle club. These guys were waiting for the call-up to join the Oath Keepers.
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