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The Novella Reservoir
Novembers Doom Homepage
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Category: Death-Doom
Year: 2007
Label: The End
Catalog Number: TE079
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Personnel
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Paul Kuhr vocals
Larry Roberts guitars
Vito Marchese guitars
Chris Wisco bass
Joe Nunez
Ed Shreddy Bethishou keyboards
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Tracks
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1. | Rain | |
2. | The Novella Reservoir | |
3. | Drown the Inland Mere | |
4. | Twilight Innocence | |
5. | The Voice of Failure | |
6. | They Were Left to Die | |
7. | Dominate the Human Strain | |
8. | Leaving This | |
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If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
live tracks, etc.), please post them in the corrections section of the
Brutal Metal forum/message board.
The music discographies on this site are works in progress. If you
notice that a particular Novembers Doom CD release or compilation is missing
from the list above, please submit that CD using the CD submission page.
The ultimate goal is to make the discographies here at Brutal Metal
as complete as possible. Even if it is an obscure greatest-hits or live
compilation CD, we want to add it to the site. Please only submit official
CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Novembers Doom are also welcome to be added, as
long as they are at least 4 songs in length.
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Existing comments about this CD
From: Doghouse Reilly |
Date: September 8, 2025 at 20:17 |
Though they hail from Chicago, there has always been a distinctly European flavor to their music - or maybe it's just that death-doom is a distinctly European concoction. I mean right down to Paul Kuhr's accent on some of the clean vocal parts, and especially some of the song titles - it's almost a Soilwork level of English-as-a-second-language. No idea what a "novella reservoir" is. This album comes in the middle of a run of albums that emphasized their deathly inclinations, with "Rain" crushing right out of the gate, and other highlights "Drown The Inland Mere" (again, no idea) and "The Voice Of Failure" sounding like heavy, heavy Nevermore circa Dead Heart, only with vocals that range from Paul Kuhr's monstrous roar to his deep, clean harmonies. The only stinker is the mawkish "Twilight Innocence," one of Paul's sleepy-time songs for his daughter (parenthood and its worries and sorrows are a surprisingly frequent theme for these guys).
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From: Doghouse Reilly |
Date: September 8, 2025 at 20:21 |
Except for that, it's heaviosity all the way, even with the occasional splash of keys. That is, until we get to the closing depressive epic, "Leaving This." This is the kind of doom-ballad Novembers Doom excels at, more so than the daddy-daughter mush of "Twilight Innocence." Still, this is one of the band's best albums.
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