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Evergrey Band Picture


Glorious Collision

Evergrey Homepage

(click on Artist's name above to return to artist's main page)

Category: Progressive Metal

Year: 2011

Label: SPV/Steamhammer

Catalog Number: SPV 308762

Average Rating: Not rated.

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Evergrey Glorious Collision Album Cover

Hannes Van Dahl Drums
Johan Niemann Bass
Marcus Jidell Guitar
Rikard Zander Keyboards
Tom S. Englund Vocals, Guitar

Carina Englund All Female Vocals
Salina Englund Guest Vocals Track 12
1.  Leave It Behind Us  5:09
2.  You  6:23
3.  Wrong  5:07
4.  Frozen  4:57
5.  Restoring the Loss  4:40
6.  To Fit the Mold  5:20
7.  Out of Reach  3:40
8.  The Phantom Letters  5:31
9.  The Disease...  4:10
10.  It Comes from Within  4:22
11.  Free  3:42
12.  I'm Drowning Alone  4:11
13.  ...And the Distance  3:47
Total Running Time:  60:59

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Brutal Metal forum/message board.

The music discographies on this site are works in progress. If you notice that a particular Evergrey CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Brutal Metal as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.

EPs and CD-singles from Evergrey are also welcome to be added, as long as they are at least 4 songs in length.

Existing comments about this CD

From: Doghouse Reilly Date: July 4, 2016 at 22:14
This is typical Evergrey: mounrful (morose even), melodic, keyboard-laced but heavy and seven-stringed power metal. Where it falls short is in production. It lacks punch. The drums don't pound, they thwack. The guitars just don't have that low-end rumble. And some of the keys have a jittery, almost industrial sound. I wish this were recorded with the typical thick sound, like on Torn or Hymns For The Broken. Interestingly, the band were on the verge of breaking up at this point, as Glorious Collision was nearly their swan song. Oh, and Tomm Englund's lyrics STILL are ungrammatical, with verbs and nouns disagreeing hither and yon.

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