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Corrosion of Conformity Homepage
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Category: Crossover Thrash
Catalog Number: C2 67583
|eBay Average Price: $ 3.77|
Pepper Keenan guitars, vocals|
Woody Weatherman guitars
Mike Dean bass
Reed Mullin drums
|1. ||King of the Rotten ||3:14|
|2. ||Long Whip/Big America ||4:52|
|3. ||Wiseblood ||3:03|
|4. ||Goodbye Windows ||5:41|
|5. ||Born Again for the Last Time ||4:39|
|6. ||Drowning in a Daydream ||4:19|
|7. ||The Snake Has No Head ||4:13|
|8. ||The Door ||3:28|
|9. ||Man or Ash ||5:13|
|10. ||Redemption City ||4:50|
|11. ||Wishbone (Some Tomorrow) ||3:56|
|12. ||Fuel ||2:39|
|13. ||Bottom Feeder (El Que Come Abajo) ||7:51|
| || |
|Total Running Time:|| 57:58|
If you see any errors or omissions in the CD information shown above,
either in the musician credits or song listings (cover song credits,
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The music discographies on this site are works in progress. If you
notice that a particular Corrosion of Conformity CD release or compilation is missing
from the list above, please submit that CD using the CD submission page.
The ultimate goal is to make the discographies here at Brutal Metal
as complete as possible. Even if it is an obscure greatest-hits or live
compilation CD, we want to add it to the site. Please only submit official
CD releases; no bootlegs or cassette-only or LP-only releases.
EPs and CD-singles from Corrosion of Conformity are also welcome to be added, as
long as they are at least 4 songs in length.
Existing comments about this CD
|From: Doghouse Reilly
||Date: August 23, 2013 at 22:07|
|To me, it sounded like COC were trying to combine the sounds of Blind and Deliverance on this release. You get the aggressioo and groove of the former, with the southern-metal swing of the latter. "The Door" sounds like Metallica covering ZZ Top, for example. Overall, not my favorite COC disc, but it definitely has its moments, including the first three tracks, the single "Drowning In A Daydream," the strutting "Wishbone" and the all-out thrash of "Fuel."
|From: Doghouse Reilly
||Date: January 11, 2017 at 14:47|
|Listening to this one again, and I'm thinking a big part of why I don't rate Wiseblood as highly as Deliverance is the production. It's just a strange-sounding album. The guitars don't have any bottom end, where a slow, chugging riff like 'man Or Ash" should just punch you in the chest, but doesn't. And there seems to be a lot of extraneous pick-scraping and finger-squeaking noise. The bass only makes itself known occasionally, and Pepper's vocals have an oerly processed, sung-through a bad mic quality, even when he's not (over)using the bullhorn effect. It almost has that highly compressed, heard-on-AM-radio quality that Queens of the Stone Age were going for on Songs for the Deaf. The songs seems to be there, but the sound is just so weird, it detracts from the listening experience.
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