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Compilations    Soundtracks

Cradle of Filth Band Picture

Cradle of Filth

Dusk and Her Embrace

Cradle of Filth Homepage

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Category: Symphonic Black

Year: 1996

Label: Music For Nations

Catalog Number: CDMFN 208

Average Rating: Not rated.

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Cradle of Filth Dusk and Her Embrace Album Cover

Personnel
Dani Filth vocals
Stuart Anstis guitars
Gian Pyres guitars
Robin Graves bass
Nicholas Barker drums
Damien Gregori keyboards
Tracks
1.  Humana Inspired To Nightmare  1:22
2.  Heaven Torn Asunder  7:06
3.  Funeral in Carpathia  8:24
4.  A Gothic Romance (Red Roses for the Devil's Whore)  8:35
5.  Malice Through the Looking Glass  5:31
6.  Dusk and Her Embrace  6:09
7.  The Graveyard By Moonlight  2:29
8.  Beauty Slept in Sodom  6:32
9.  Haunted Shores  7:04
  
Total Running Time:  53:12

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Brutal Metal forum/message board.

The music discographies on this site are works in progress. If you notice that a particular Cradle of Filth CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Brutal Metal as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.

EPs and CD-singles from Cradle of Filth are also welcome to be added, as long as they are at least 4 songs in length.




Existing comments about this CD

From: Doghouse Reilly Date: October 19, 2014 at 21:51
Your "tr00 kvlt" black-metal purists hate Cradle Of Filth, for much the same reason they hate Dimmu Borgir: because neither band makes unlistenable, lo-fi noise in the vein of the inexplicably worshipped Darkthrone. Instead, Cradle Of Filth makes a black-metal Halloween haunted-house soundtrack, combining the traditional screeched vocals with eerie choirs and creepy narration, and infusing the music with bombastic, orchestral elements. It's great music for this time of year, and COF do it very well. They inject the typical satanism with more of a literate, highly erotic, gothic blasphemy rich with imagery, kinda like ype O Negative without the ironic self-deprecating humor. On the minus side, the grandiose orchestration tends to bury the guitars and cushioon the heaviness. And Dani's vocals are unnatural and frequently ridiculous, screaming so high and raspy that he often sounds like every word has the same vowel sound, making much of the lyrics sound like meaningless babble.


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