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Category: Industrial / Alternametal

Year: 1998

Label: Interscope Records

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Two Voyeurs Album Cover

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Rob Halford vocals
John 5 guitar, bass
Bob Marlette keyboards, drum programming, bass
Phil Western keyboards, drum programming
Anthony "Fu" Valcic keyboards, drum programming

Trent Reznor executive producer
1.  I Am A Pig  
2.  Stutter Kiss  
3.  Water's Leaking  
4.  My Ceiling's Low  
5.  Leave Me Alone  
6.  If  
7.  Deep In The Ground  
8.  Hey, Sha La La  
9.  Wake Up  
10.  Gimp  
11.  Bed Of Rust  

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Brutal Metal forum/message board.

The music discographies on this site are works in progress. If you notice that a particular Two CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Brutal Metal as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.

EPs and CD-singles from Two are also welcome to be added, as long as they are at least 4 songs in length.

Existing comments about this CD

From: Doghouse Reilly Date: November 7, 2016 at 21:35
Two (sometimes written as 2WO) coincided (perhaps not so coincidentally) with Halford's "coming out" in early 1998. To a small-town, blue-collar kid who never had much interaction with openly gay people, I'm not sure which was more of a shocker, where Halford liked to stick his dick or his latest musical endeavors. Of course, his mere sexuality (which shouldn't have been all that surprising in hindsight) can't so much as smudge the majesty of the man's recorded legacy, but Voyeurs won't be remembered as one of his best moments. In fact, it likely isn't remembered at all by most people, and maybe that's for the best. This is kind of like a late-'90's update of Turbo, all drum loops and synths and weird, sampled noises. John 5 (known as plain old John Lowery here, but soon to become a part of the Manson Family) underwhelms, the emphasis being more on "sounds" rather than riffs. This album is 100% a product of its time and hasn't aged well at all, but contrary to popular belief it's not h

From: Doghouse Reilly Date: November 7, 2016 at 21:38
... It's not horrible. I like the rhythmic nature of some songs (the same quality I liked about some nu-metal), and Halford is in fine voice as always. But the music was such a hard left turn from what we were used to, most metalheads reacted immediately and negatively.

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