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Evoken Band Picture


Antithesis of Light

Evoken Homepage

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Category: Sludge/Funeral Doom

Year: 2005

Label: Mercenary Musik

Catalog Number: WAR 038

Average Rating: Not rated.

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Evoken Antithesis of Light Album Cover

John Paradiso vocals, guitar, bass
Nick Orlando guitar
Denny Hahn keyboards
Vince Verkay drums
1.  Intro  0:49
2.  In Solitary Ruin  10:44
3.  Accursed Premonition  12:33
4.  The Mournful Refusal  13:30
5.  Pavor Nocturnus  10:46
6.  Antithesis of Light  12:16
7.  The Last of Vitality  11:00
Total Running Time:  71:38

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Brutal Metal forum/message board.

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EPs and CD-singles from Evoken are also welcome to be added, as long as they are at least 4 songs in length.

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Existing comments about this CD

From: Doghouse Reilly Date: July 4, 2016 at 21:52
Hands up, all y'all who are into funeral doom. I'm guessing not many. The song titles and runing times should clue you in, but I'll give you another hint: this is not music to drink beer and jump around the room to. Slow, slow s-l-o-w tempos, with alternately whispered and roared vocals, and strange, eerie melodies. It's not death metal--it's like dead metal, in that it actually sounds like it's coming from a grave. Antithesis Of Light? Damn right! This music, and its appropriately cavernous production, has me picturing a cave deep underground, populated by strange creatures who've never seen a ray of light. You gotta be twisted to actually enjoy listening to this on disc--who in their right mind would actually want to go see this shit live? (The band know this, and don't like to play out either, thank you very much.) Having said all that, this is actually a great disc, for the style, but its appeal is just so limited, even among people who live and breathe extreme metal. In a way, thi

From: Doghouse Reilly Date: July 4, 2016 at 21:54
In a way, this is as extreme as you can get, not so much in terms of the actual performances, but in its utterly soul-crushing, pitch-black atmosphere.

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