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Compilations    Soundtracks


Human Clay

Creed Homepage

(click on Artist's name above to return to artist's main page)

Category: Christian Post-Grunge Hard Rock

Year: 1999

Label: Wind-Up

Catalog Number: 60150-13053-2

Average Rating: Not rated.

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Creed Human Clay Album Cover

Scott Stapp lead vocals
Brian Marshall bass
Scott Phillips drums
Mark Tremonti guitars, vocals

John Kurzweg B3 Organ
1.  Are You Ready?  
2.  What If  
3.  Beautiful  
4.  Say I  
5.  Wrong Way  
6.  Faceless Man  
7.  Never Die  
8.  With Arms Wide Open  
9.  Higher  
10.  Wash Away Those Years  
11.  Inside Us All  

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Brutal Metal forum/message board.

The music discographies on this site are works in progress. If you notice that a particular Creed CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Brutal Metal as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.

EPs and CD-singles from Creed are also welcome to be added, as long as they are at least 4 songs in length.

Existing comments about this CD

From: Doghouse Reilly Date: September 14, 2019 at 4:54
If it were possible to become even more oversaturated, Creed did so with their second album. My Own Prison was mostly a rock phenomenon, but with Human Clay, they became crossover sensations. "Higher" and 'With Arms Wide Open" were huge pop hits. It's not like they changed their sound all that much - it's the same generally slow-paced, unbelievably self-serious second-generation grunge as it was on the first album. The hooks are sharper and the melodies a little more uplifting. The nadir comes in the form of "With Arms Wide Open," a maudlin ballad for Stapp's son, that he actually sang to him in the delivery room. Unspeakably lame, in other words. Again, there was that feeling that Creed-mania wasn't real: they were everywhere, but no one seemed to like them.

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