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Compilations    Soundtracks

Creed

My Own Prison

Creed Homepage

(click on Artist's name above to return to artist's main page)

Category: Christian / Post-Grunge Hard Rock

Year: 1997

Label: Wind-Up

Catalog Number: 60150-13049-2

Average Rating: Not rated.

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Creed My Own Prison Album Cover

Personnel
Scott Stapp lead vocals
Brian Marshall bass
Scott Phillips drums
Mark Tremonti guitars, vocals
Tracks
1.  Torn  
2.  Ode  
3.  My Own Prison  
4.  Pity For A Dime  
5.  In America  
6.  Illusion  
7.  Unforgiven  
8.  Sister  
9.  What's This Life For  
10.  One  

If you see any errors or omissions in the CD information shown above, either in the musician credits or song listings (cover song credits, live tracks, etc.), please post them in the corrections section of the Brutal Metal forum/message board.

The music discographies on this site are works in progress. If you notice that a particular Creed CD release or compilation is missing from the list above, please submit that CD using the CD submission page. The ultimate goal is to make the discographies here at Brutal Metal as complete as possible. Even if it is an obscure greatest-hits or live compilation CD, we want to add it to the site. Please only submit official CD releases; no bootlegs or cassette-only or LP-only releases.

EPs and CD-singles from Creed are also welcome to be added, as long as they are at least 4 songs in length.




Existing comments about this CD

From: Doghouse Reilly Date: September 14, 2019 at 4:22
Upon hitting radio in the fall of 1997, Creed almost immediately became overexposed. They quickly replaced Live for the most overrated, undeserving band to be heard every hour on rock radio. Scott Stapp was a blatant Vedder/Weiland clone, and the band came off as laughably earnest, in a sea of overly earnest alt-rock bands. Being completely fair, Creed were not without talent. By '97 mainstream rock standards, some of the deep cuts, like 'Unforgiven" are quite heavy, and Stapp does have a strong voice, as bland and derivative as his sound is. Of the four overplayed singles, "Torn" is the best. A big part of the problem, aside from their glaringly unoriginal sound, was that I, and many others, felt like this band was being pushed on us. I never knew anyone who would admit to thinking they were more than just okay, but they were inescapable almost from the word go. Twenty years on, this is tolerable in small doses, but is useful mostly as a relicc from my senior year of high school.


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